Sonic Identity at the Margins

Jessie Fillerup is Associate Professor of Music at the University of Richmond and author of Magician of Sound: Ravel and the Aesthetics of Illusion (2021). She has written on French music, opera, musical temporality, and magic for publications such as Music & Letters, Cambridge Opera Journal, 19th-Century Music, and Music Theory Online. Her work has been supported by the Mellon Foundation, the National Endowment for the Humanities, and the Aarhus Institute of Advanced Studies, Denmark. Joanna K. Love is Associate Professor of Music at the University of Richmond and the Book Reviews Editor for the Journal of the Society for American Music (JSAM). She has written extensively on music in advertising and multimedia and her work has appeared in volumes for Oxford University Press and Routledge, and journals including JSAM and Music and Politics. Her 2019 book, Soda Goes Pop: Pepsi-Cola Advertising and Popular Music, was supported by an AAUW fellowship.

List of Illustrations
Contributors
Introduction to Sonic Identity at the Margins
Joanna K. Love, University of Richmond, USA, and Jessie Fillerup, University of Richmond, USA
Part I: Hearing Race and Place
1. Mapping Sonic and Affective Geographies in Richmond Virginia
Andrew McGraw, University of Richmond, USA
2. Musical Indianism: Reassessing the Archive
Victoria Rose Clark (Nanticoke), Independent Scholar, USA
3. Reconsidering "Rhythm" as Cultural Marker in Black String Band Music
Landon Bain, Independent Scholar, USA
4. “The Year of Jubilee is Come”: Metatextual Resonance in Antislavery Hymn Parodies
Erin Fulton, Independent Scholar, USA
5. Accidental Alterity in Messiaen’s Quatre études de rythme
David Wolfson, Hunter College, USA

Part II: Sounding “Otherness” in Contemporary Media
6. Decolonizing Game Audio and Approaching Sound in Digital Storytelling
Kate Galloway, Rensselaer Polytechnic Institute, USA
7. Finding Home in the Unknown: Sounding Self-Determination from the Streets to the Void
Andrew J. Kluth, Case Western Reserve University, USA
8. Colonial Encounters, Alien Languages, and the Exotic Music of Denis Villeneuve’s Arrival
Paige Zalman, Independent Scholar, USA
9. Decolonizing Disability: “Muteness,” Music, and Eugenics in Screen Representation
James Deaville, Carleton University, Ontario, Canada
10. Hearing Borderline Personality Disorder in Crazy Ex- Girlfriend
Jessie Fillerup, University of Richmond, USA, and Joanna K. Love, University of Richmond, USA

Part III: Performing Identity
11. Shirish Korde on Intercultural Composition
Christopher Chandler, Union College, USA
12. Sonic Dismantling, Appropriation, and Confederate Monuments
David Kirkland Garner, University of South Carolina, USA
13. The Lanna Dream: Reflections of Constructed Identities
Waewdao Sirisook, Chiang Mai University, Thailand, and Abbas Rasul, Independent Scholar, Chiang Mai, Thailand
14. American Blackness in Berlin: Race and Nationality in Contemporary Jazz Performance
Bertram D. Ashe, University of Richmond, USA
15. Remaking Traditions and Rehearing the Self: A Conversation with Reena Esmail
Christopher Chandler, Union College, USA
Acknowledgments
Index