Self Help Graphics at Fifty

Tatiana Reinoza is Assistant Professor of Art History at the University of Notre Dame. She is the author of Reclaiming the Americas: Latinx Art and the Politics of Territory.   Karen Mary Davalos is Professor of Chicano and Latino Studies at the University of Minnesota, Twin Cities. She is the author of Chicana/o Remix: Art and Errata Since the Sixties.

Contents

Introduction
Intangible Registers: Self Help Graphics and the Creation of Sustainable Art Ecologies
Karen Mary Davalos and Tatiana Reinoza

PART ONE: THE ETHOS OF SELF HELP GRAPHICS & ART

1. Dibujando el Camino: Ibañez y Bueno and the Chicano-Mexican Public Art Tradition
    JV Decemvirale
2. The Barrio Mobile Art Studio: The History of an Art Education Program for Chicanas/os 
    and Mexican Immigrants in Los Angeles
    Adriana Katzew
3. Generative Networks and Local Circuits: Self Help Graphics and the Visual Politics of 
    Solidarity
    Mary Thomas

PART TWO: THE ATELIER

4. The Future Is Feminist: How the Maestras Atelier Transformed Self Help Graphics
    Claudia Zapata
5. Unfinished: The Death Worlds of Homombre LA
    Robb Hernández
6. Self Help Graphics & Art’s Contributions to Chicana/o/x Art Histories 
    Karen Mary Davalos

PART THREE: FROM EAST LOS ANGELES TO THE WORLD

7. Central America at Self Help Graphics: Camaraderie and Artmaking in the City of Angels
    Kency Cornejo
8. Self Help Graphics and Global Circuits of Art in the 1990s
    Olga U. Herrera
9. Creating Infrastructures of Value: Self Help Graphics and the Art Market—a Conversation
    with Arlene Dávila
    Arlene Dávila, Karen Mary Davalos, and Tatiana Reinoza

Atelier History
Self Help Graphics & Art Timeline
Further Reading
List of Contributors
Index