Communities, Archives and New Collaborative Practices

Simon Popple is the Deputy Head for the School of Media and Communication at the University of Leeds, and a Senior Lecturer in Photography and Digital Culture at the University of Leeds. Andrew Prescott is a Professor of Digital Humanities at the University of Glasgow. Daniel H. Mutibwa is a Assistant Professor in Creative Industries at the University of Nottingham.

Preface;
Introductory Chapter: Remaking the Archive;
Section 1: Storytelling, Co-curation and Community Archives;
Chapter 1: New Island Stories: Heritage, Archives and the Digital Environment as a basis for Community Regeneration;
Chapter 2: Speaking through Making: living archives, embodied value;
Chapter 3: BBC Pebble Mill: Issues around collaborative community online archives – A case study of the http://pebblemill.org project;
Chapter 4: Memories on film: Public archive images and participatory film?making with people with dementia;
Chapter 5: Doing-It-Together: Co-creating popular music history in the online environment;

Section 2: Citizen Archives and the Institution;
Chapter 6: Museums and Communities in the Virtual Age: From Museological Use to Digital Heritage Engagement?;
Chapter 7: Enhancing museum visits through the creation of data visualisation to support informed choices and the recording and sharing of experience;
Chapter 8: Letter to an Unknown Soldier;
Chapter 9: Earth in Vision and the Digital Citizen: Working Upstream of Digital and Broadcast Archive Developments;
Chapter 10: Institutional collaboration in the creation of digital linguistic resources: the case of the British Telecom Correspondence Corpus;
Chapter 11: Archiving art school atmosphere: digital collecting, cultural heritage practice and non-materiality;

Section 3: Disruptive and Counter Voices: The Community Turn;
Chapter 12: Anti-Institutional Mental Health Archives: Tensions, Challenges and Reward.;
Chapter 13: ‘Weapons in the struggle’ Independent radical archives.;
Chapter 14: Silver hair, silver tongues, silver screen: recollection, reflection and representation through digital storytelling with older people;
Chapter 15: Prejudice and Pride: Archiving ‘wibbly-wobbly timey-wimey’ LGBT histories;
Chapter 16: Locating the Black Archive;
Chapter 17: Archive, Museum, Library, In/tangible Heritage, Web: Ways of being inclusive and alive.;
Chapter 18: Archive Utopias: Linking collaborative histories to local decision-making;
Concluding Chapter: The Archive in a World of Datafication.