Music as Multimodal Discourse

Lyndon C. S. Way is Associate Professor of media and communications at Izmir University of Economics, Turkey Simon McKerrell is Senior Lecturer & Head of Music at Newcastle University, UK

List of Figures
List of Tables
List of Contributors
Preface
Acknowledgements
1. Understanding Music as Multimodal Discourse, Simon McKerrell (Newcastle University, UK) and Lyndon C. S. Way (Izmir University of Economics, Turkey)
2. The Role of Music in Ridiculing the Working Classes in Reality Television, Göran Eriksson and David Machin (Örebro University, Sweden)
3. ‘Shame Makes the World Go Around’: Performed and Embodied (Gendered) Class Disgust in Morrissey’s ‘Slum Mums’, Aileen Dillane, Martin J. Power and Eoin Devereux (University of Limerick, Ireland)
4. Recontextualization and Fascist Music, John E. Richardson (Loughborough University, UK)
5. Authenticity and Subversion: Protest Music Videos’ Struggle with countercultural Politics and Authenticity, Lyndon C. S. Way (Izmir University of Economics, Turkey)
6. Sonic Logos, Theo van Leeuwen (University of Technology Sydney, Australia)
7. ‘If You Have Nothing To Say – Sing It!’: On the Interplay of Music, Voice and Lyrics in the Advertising Jingle, Johnny Wingstedt (Dalarna University, Sweden)
8. When the Fairy Tale Is Over: An Analysis of Songs and Institutional Discourse against Domestic Violence in Spain, Laura Filardo-Llamas (University of Valladolid, Spain)
9. Indigenous Hip Hop as Anti-colonial Discourse in Guatemala, Rusty Barrett (University of Kentucky, USA)
10. Song, Sonic Metaphor, and Countercultural Discourse in British Folk-rock Recordings, Matthew Ord (Newcastle University, UK)
Index