Raoul Peck (eBook)

Toni Pressley-Sanon is assistant professor in the Department of Africology and African American Studies at Eastern Michigan University.Sophie Saint-Just is visiting assistant professor of French at Williams College.

IntroductionSophie Saint-Just and Toni Pressley-SanonHistory is Too Important to Leave to Hollywood: Colonialism, Genocide and Memory in the Films of Raoul PeckAlyssa Goldstein SepinwallDisrupting Conventional Film Structure: Letters, Voice-Over, and Traumatic Irruption in Raoul Peck’s FilmsJoëlle Vitiello“My Story is Not a Nice Story”: Sometimes in April (2005) and the Rwandan Genocide FilmJane M. BryceFraming the Dispersal in Diaspora: Raoul Peck, Transnational FilmmakerSophie Saint-JustOn the Edge of Silence: l’(in)-imaginable and Gendered Representations of the Rwandan Genocide from Photography to Raoul Peck’s Sometimes in AprilMyriam J. A. ChancyHaitian National Identity and Gender in Raoul Peck’s Moloch Tropical Tama Hamilton-WrayInterrogating Images: Lumumba: Death of a Prophet as Reflexive AutoBiographical DocumentaryRachel GabaraPostcolonialism and the Poetics of Pragmatism: Raoul Peck’s Fatal Assistance and Alain Resnais’s Hiroshima mon amour Alessandra Benedicty-Kokken “Haiti mon amour”John P. WalshLòt Bo and Anba Dlo: The Dialectics of Raoul Peck’s Désounen: Dialogue with DeathToni Pressley-SanonPolitics, Masculinity, and Apocalyptic Memory in L’homme sur les quaisMartin MunroLessons from the Cinema of Raoul PeckOlivier BarletTranslated by Sophie Saint-JustStolen Images or Footnotes: Keynote Address to the 2013 Haitian Studies Association ConferenceRaoul PeckTranslated by Sophie Saint-Just“Beyond Help?”: Address by Raoul Peck, Conference on “Beyond Aid: From Charity to Solidarity”, Frankfurt, Germany – February 20, 2014Raoul PeckTranslated by Alyssa Goldstein SepinwallAbout the Contributors