I-Docs (eBook)
Columbia University Press (Verlag)
978-0-231-85107-7 (ISBN)
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study. This anthology looks at the creative practices, purposes and ethics that lie behind these emergent forms. Expert contributions, case studies and interviews with major figures in the field address the production processes that lie behind interactive documentary, as well as the political, cultural and geographic contexts in which they are emerging and the media ecology that supports them. Taking a broad view of interactive documentary as any work which engages with 'the real' by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance. It thus explores the challenges that face interactive documentary practitioners and scholars, and proposes new ways of producing and engaging with interactive factual content.
Judith Aston is a Senior Lecturer at the University of the West of England. Sandra Gaudenzi is a Senior Lecturer at the University of Westminster. Mandy Rose is an Associate Professor at the University of the West of England. All three have published widely in the field of digital documentary theory and practice, and are co-directors of the i-Docs bi-annual symposium.
AcknowledgmentsNotes on ContributorsForeword, by Brian WinstonIntroduction, by Judith Aston, Sandra Gaudenzi, Mandy RosePart 1. Co-CreationPreface, by Mandy Rose1. I-docs and the documentary tradition: exploring questions of engagement, by Kate Nash2. Co-creation as talkback: using the collaborative and interactive docu-forms to (re)imagine the 'rape-city', by Anandana Kapur3. Documentary as co-creative practice: From Challenge for Change to Highrise – Kat Cizek in conversation with Mandy Rose, edited by Anna Wiehl4. Not media about, but media with: co-creation for activism, by Mandy Rose5. Living collaborations in Los Sures, Brooklyn: 1984 and today, by Christopher Allen6. Software as co-creator in interactive documentary, by Craig HightPart 2. MethodsPreface, by Sandra Gaudenzi7. Evaluating users' experiences: a case study approach to improving i-doc UX Design, by Samuel Gantier and Michel Labour8. User experience versus author experience: lessons learned from the UX Series, by Sandra Gaudenzi9. Pushing the craft forward: the POV Hackathon as a collaborative approach to making an interactive documentary, by Jess Linington10. The Learn Do Share design methodology: Lance Weiler in conversation, by Sandra Gaudenzi11. Testing and evaluating design prototypes: the case study of Avatar Secrets, by Ramona Pringle12. Look who's watching: what storytellers can learn from privacy and personalisation, by Ben MoskowitzPart 3. HorizonsPreface, by Judith Aston13. Things to come: the possible futures of documentary from a historical perspective, by William Uricchio14. Towards behavioural realism: experiments in immersive journalism, by Nonny de la Peña15. Interactive documentary and live performance: from embodied to emplaced interaction, by Judith Aston16. The travelling i-doc: reflections on the meaning of interactive documentary-based image-making practices in contemporary India, by Paolo Favero17. Interactive documentary aquí y ahora – here & now: themes and directions in South America, by Arnau Gifreu-Castells18. Who wants to become banal?: the i-doc from experiment to industry, by Jon DoveyIndex
Erscheint lt. Verlag | 28.2.2017 |
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Reihe/Serie | Nonfictions |
Zusatzinfo | 24 b&w illustrations |
Verlagsort | New York |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kunst / Musik / Theater ► Theater / Ballett | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-231-85107-3 / 0231851073 |
ISBN-13 | 978-0-231-85107-7 / 9780231851077 |
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