Sight, Sound, Motion

Herbert Zettl is a professor emeritus of the Broadcast and Electronic Communication Arts Department at San Francisco State University (SFSU), where he led the Institute of International Media Communication and received the California State Legislature Distinguished Teaching Award and the Broadcast Education Association's Distinguished Education Service Award. Prior to joining the SFSU faculty, Zettl worked at KOVR (Stockton-Sacramento) and as a producer-director at KPIX, the CBS affiliate in San Francisco, where he participated in a variety of CBS and NBC network television productions. Because of his outstanding contributions to the television profession, Zettl was elected to the prestigious Silver and Gold Circles of the National Academy of Television Arts and Sciences (NATAS), Northern California, and received their highest honor, the Governors’ Award, which includes an Emmy. He is also a member of the Broadcast Legends of the NATAS Northern California Chapter. Lecturing extensively at universities and professional broadcast institutions both in the United States and abroad, Zettl has presented key papers at a variety of national and international communication conventions. He is the author of VIDEO BASICS, TELEVISION PRODUCTION HANDBOOK and SIGHT SOUND MOTION, which are translated into several languages and published internationally. His numerous articles on television production and media aesthetics have appeared in major media journals worldwide, and he also developed an interactive DVD-ROM -- Zettl's VideoLab 4.0 (Cengage Learning). His previous CD-ROM version won several prominent awards, including the Macromedia People's Choice Award, the New Media Invision Gold Medal for Higher Education, and Invision Silver Medals in the categories of Continuing Education and Use of Video.

About the Author.
Preface.
Prologue.
1. Applied Media Aesthetics.
2. The First Aesthetic Field: Light.
3. Structuring the First Aesthetic Field: Lighting.
4. The Extended First Field: Color.
5. Structuring Color: Function and Composition.
6. The Two-dimensional Field: Area.
7. The Two-dimensional Field: Forces Within the Screen.
8. Structuring the Two-dimensional Field: Interplay of Screen Forces.
9. The Three-dimensional Field: Depth and Volume.
10. Structuring the Three-dimensional Field: Screen Volume and Effects.
11. Building Screen Space: Visualization.
12. The Four-dimensional Field: Time.
13. The Four-dimensional Field: Motion.
14. Structuring the Four-dimensional Field: Timing and Principal Motions.
15. The Five-dimensional Field: Sound.
16. Structuring the Five-dimensional Field: Sound Structures and Sound/Picture Combinations.
17. Visual Narrative: The Syntax of Continuity Editing.
18. Visual Narrative: The Syntax of Complexity Editing.
Glossary.
Bibliography.