The Moon, Come to Earth

Focusing on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, this title renders Lisbon from a perspective that varies between wide-eyed and knowing. It reveals the author's struggles with (and love of) the Portuguese language as well as an awkward meeting with Nobel laureate Jose Saramago.

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A dispatch from a foreign land, when crafted by an attentive and skilled writer, can be magical, transmitting pleasure, drama, and seductive strangeness. In "The Moon, Come to Earth", Philip Graham offers an expanded edition of a popular series of dispatches originally published on McSweeney's, an exuberant yet introspective account of a year's sojourn in Lisbon with his wife and daughter. Casting his attentive gaze on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, Graham renders Lisbon from a perspective that varies between wide-eyed and knowing; though he's unquestionably not a tourist, at the same time he knows he will never be a local. So his lyrical accounts reveal his struggles with (and love of) the Portuguese language, an awkward meeting with Nobel laureate Jose Saramago, being trapped in a budding soccer riot, and his daughter's challenging transition to adolescence while attending a Portuguese school - but he also waxes loving about Portugal's saudade-drenched music, its inventive cuisine, and its vibrant literary culture.
And through his humorous, self-deprecating, and wistful explorations, we come to know Graham himself, and his wife and daughter, so when an unexpected crisis hits his family, we can't help but ache alongside them. A thoughtful, finely wrought celebration of the moment-to-moment excitement of diving deep into another culture and confronting one's secret selves, "The Moon, Come to Earth" is literary travel writing of a rare intimacy and immediacy.