Representing Infirmity

John Henderson, Professor of Italian Renaissance History, Department of History, Classics and Archaeology, Birkbeck, University of London. His most recent books include The Renaissance Hospital: Healing the Body and Healing the Soul (2006) and Florence under Siege: Surviving Plague in an Early Modern City (2019). Fredrika Jacobs, Professor Emerita, Virginia Commonwealth University. She is the author of Defining the Renaissance 'Virtuosa': Women Artists and the Language of Art History and Criticism, The Living Image in the Renaissance, and Votive Panels and Popular Piety in Early Modern Italy. Her current project is ‘10 objects + a shadow’. Jonathan K. Nelson, Teaching Professor, Syracuse University Florence. His books include The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art (with Richard Zeckhauser), Bad Reception: Negative Reactions to Italian Renaissance Art (co-editor; forthcoming), and monographic studies of Leonardo da Vinci, Filippino Lippi (with Patrizia Zambrano), Michelangelo, Plautilla Nelli, and Robert Mapplethorpe.

Part 1: Approaches to the representation of infirmity 1 Cancer in Michelangelo’s Night. An analytical framework for retrospective diagnoses 2 The language of medicine in Renaissance preaching 3 Representing infirmity in early modern Florence Part 2: Institutions and visualising illness 4 On display: poverty as infirmity and its visual representation at the hospital of Santa Maria della Scala in Siena 5 The friar as medico: picturing leprosy, institutional care, and Franciscan virtues in La Franceschina Part 3: Disease and treatment 6 The drama of infirmity: cupping in sixteenth-century Italy 7 Suffering through it: visual and textual representations of bodies in surgery in the wake of Lepanto (1571) 8 Artistic representations of goitre in early modern art in Italy Part 4: Saints and miraculous healing 9 Infirmity in votive culture: a case study from the sanctuary of the Madonna dell’Arco, Naples 10 Infirmity and the miraculous in the early seventeenth century: the San Carlo cycle of paintings in the Duomo of Milan 11 Epilogue: did Mona Lisa suffer from hypothyroidism? Visual representations of sickness and the vagaries of retrospective diagnosis