Big Data—A New Medium?

Natasha Lushetich is Professor of Contemporary Art & Theory at the University of Dundee. Her research is interdisciplinary and focuses on intermedia, biopolitics and performativity, the status of sensory experience in cultural knowledge, hegemony, and complexity.

Prologue: Why Ask the Question? Natasha Lushetich Section I: Patterning Knowledge and Time 1. Big Data and/versus People Knowledge: On the Ambiguities of Humanistic Research Ingrid Hoofd 2. Simulated Replicants Forever? Big Data, Engendered Determinism and the end of Prophecy Franco ‘Bifo’ Berardi 3. "Visual Hallucination of Probable Events": On Environments of Images, Data, and Machine Learning Abelardo Gil-Fournier and Jussi Parikka Section II: Patterning Use and Extraction 4. Biometric Datafication in Governmental and Personal Spheres Btihaj Ajana 5. Digital Biopolitics and the Problem of Fatigue in Platform Capitalism Tim Christaens 6. Appreciating Machine-Generated Artwork through Deep Learning Mechanisms Lonce Wyse Section III: Patterning Cultural Heritage and Memory 7. Data to the Nth Degree: Zooming in On The Smart Set Craig J. Saper 8. Intellectual Autonomy After Artificial Intelligence: The Future of Memory Institutions and Historical Research Nicola Horsley 9. BeHere: Prosthetic Memory in the Age of Digital Frottage Natasha Lushetich and Masaki Fujihata Section IV: Patterning People 10. Surfaces and Depths: An Aesthetics of Big Data Dominic Smith 11. POV Data Doubles, the Dividual and the Drive to Visibility Mitra Azar 12. Reading Big Data as the Heterogenous Subject Simon Biggs 13. Epilogue: Telepathic Exaptation in Late Cognitive Capitalism: A Speculative Approach to the effects of Digitality Warren Neidich