Memory, Metaphor and Mysticism in Kalidasa’s AbhijñānaŚākuntalam

Namrata Chaturvedi is associate professor, School of Language, Literature and Culture Studies, SRM University, Sikkim.

Acknowledgments; Introduction, Namrata Chaturvedi; Section I: Metre, Structure and Dhvani; 1. ‘Upamā Kālidāsasya’: What Makes Kālidāsa the King of Metaphor, Ramkishor Maholiya; 2. What Happens in ‘Śakuntalā’: Conceptual and Formal Symmetries, Sheldon Pollock; 3. From Separation to Unity: Resonances of Kashmir Śaivism in ‘AbhijñānaŚākuntalam’, H. S. Shivaprakash and Namrata Chaturvedi; 4. ‘Śakuntalā’ and the Bible: Parallels and Resonances, Felix Wilfred; Section II: Commentaries and Criticism; 5. Love on One’s Terms: Perspectives on ‘Gāndharva Vivāha’ in ‘AbhijñānaŚākuntalam’, Wagish Shukla; 6. ‘AbhijñānaŚākuntalam’ in Indian Hermeneutics, Radhavallabh Tripathi; 7. The Seeker Finds His Self: Reading ‘Sārārthadīpikā’, the Advaita Commentary on ‘AbhijñānaŚākuntalam’, Godabarisha Mishra; Section III: Varied Grammars of Love; 8. ‘Not a Tale, but a Lesson’: Persian Translations of Kālīdāsa’s ‘AbhijñānaŚākuntalam’, Sunil Sharma; 9. Śakuntala in Hindustani: Reading select Urdu translations of ‘AbhijñānaŚākuntalam’, Khalid Alvi; 10. Dialogue between Two ‘Mahākavis’: Kālidāsa and Laxmi Prasad Devkota’s Three ‘Śakuntalās’, Gokul Sinha; Section IV: On the Stage: Personal Engagements with a Lived Tradition; 11. Staging ‘Śakuntalā’ in India: Observations and Reflections, Kamlesh Dutt Tripathi; 12. From the Stage to the Classroom: Engagement with ‘Śakuntalā’, Sreenivas Murthy; Index.