Lives of Shakespearian Actors, Part III

Volume 1: Charles Kean Edited by Robert Sawyer 'Notice of a Testimonial to Charles Kean', The Annual Register ... of the Year 1862 (1863); A Bunn, The Stage: Both Before and Behind the Curtain (1840); The Celebrated Eton Boy and Sing-Song Play-House Pigeon (1859); J. K. Chapman (ed.), The Court Theatre, and Royal Dramatic Record (1849); J W Cole, The Life and Theatrical Times of Charles Kean (1859); A Darbyshire, The Art of the Victorian Stage: Notes and Recollections (1907); 'Banquet Testimonial to Charles Kean' (1859); Review of Kean Banquet, Musical World (1859); 'The Scenery in "Richard II" at the Princess's Theatre', Builder (1857); C Kean, 'Preface and Historical Notes to King Richard II', in Selections from the Plays of Shakespeare (1860); C Kean, Playbill for King Richard the Second; C Scott, 'How Charles Kean Played Richard the Second', Sketch (1899); G H Lewes, On Actors and the Art of Acting (1875); H Morley, The Journal of a London Playgoer from 1851-1866 (1866); J E Murdoch, The Stage, Or, Recollections of Actors and Acting (1880); G C D Odell, Shakespeare from Betterton to Irving (1920); 'Princess's Theatre', The Times of London (1857); 'The Princess's Theatre', New York Times (1858); 'Princess's Theatre and Kean's Hamlet', Lloyd's Weekly London Newspaper; 'Princess's Theatre: Kean's Last Season', Lloyd's Weekly London Newspaper (1858); Punch Magazine [London] (1857); 'Touching Things Theatrical', Punch Magazine (1854); Review of Kean's Henry VIII, Lloyd's Weekly London Newspaper (1855); Review of Kean's King Lear, Lloyd's Weekly London Newspaper (1858); Review of The Tempest, and Richard II, Art-Journal (1857); C Kean, Preface and Historical Notes to The Tempest (1857); Review of The Tempest, The Times of London (2 July 1857); Review of The Tempest, The Times of London (3 July 1857); Review of The Tempest, The Times of London (6 July 1857); Review of The Tempest, Literary Gazette (1857); Review of The Tempest, Examiner (1857); Review of The Tempest, Morning Chronicle (1857); Review of The Tempest, Era (1857); Review of Hamlet, The Times (1859); Review of Hamlet, Lloyd's Weekly Newspaper (1859); Review of Hamlet, Morning Post (1859); Review of Hamlet, Era (1859); Letter from Charles Kean to Unknown Correspondent, 10 September 1856; Letter from Ellen Kean to Queen Victoria, 28 June 1857; Letter from Queen Victoria to Ellen Kean, 24 January 1868 Volume 2: Samuel Phelps Edited by Julia Swindells and David Francis Taylor 'The History of Sadler's Wells' (1866), Era; Theatre Regulation Act (1843); 'National Anti-Corn-Law League ... at Sadler's Wells', Morning Chronicle (1843); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpts; Handbill distributed by Phelps and Warner; J R Towse, Sixty Years of the Theater (1916), excerpt; C Dickens and R Horne, 'Shakespeare and Newgate', Household Words (1851); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; 'Dear Shakespeare', Punch (1844); 'Shakespeare at Sadler's Wells', Punch (1844); 'Our Dramatic Correspondent', Punch (1862); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; J and E Coleman, Memoirs of Samuel Phelps (1886), excerpt; J and E Coleman, , Memoirs of Samuel Phelps (1886), excerpt; 'Sadler's Wells Theatre', Morning Chronicle (1857); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; 'Audacious Interference with Vested Rights' (1845); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpts; H Morley, Journal of a London Playgoer (1891), excerpts; T Taylor, 'Mr Phelps and the Fool's Revenge', Theatre (1878); 'Mr Phelps and Sadler's Wells', Era (1862); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; C Scott, 'Sadler's Wells Theatre', The Times (1862); S Lee, Shakespeare and the Modern Stage (1906); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; J and E Coleman, Memoirs of Samuel Phelps (1886), excerpt; 'Exeter Theatre', Trewman's Exeter Flying Post (1836); 'Exeter Theatre', Trewman's Exeter Flying Post (1837); J and E Coleman, Memoirs of Samuel Phelps (1886), excerpt; 'The Theatres', Satirist; or, the Censor of the Times (1837); 'Theatricals', Age (1837); 'Haymarket Theatre', Morning Chronicle (1837); W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; J and E Coleman, Memoirs of Samuel Phelps (1886), excerpt; W Toynbee (ed.), The Diaries of William Charles Macready (1912), excerpts; W M Phelps and J Forbes-Robertson, Life and Life-Work of Samuel Phelps (1886), excerpt; J and E Coleman, Memoirs of Samuel Phelps (1886), excerpt; D Cook, 'Mr Phelps', World (1876); H B Baker, History of the London Stage and its Famous Players (1904); F Harrison, Autobiographic Memoirs (1911), excerpt; J R Towse, Sixty Years of the Theater (1916), excerpt; C Scott, 'Drury Lane Theatre', The Times (1863); H Morley, Journal of a London Playgoer (1866), excerpts; D Jerrold, 'Bully Bottom', Punch (1853); H Morley, Journal of a London Playgoer (1866), excerpts; J R Towse, Sixty Years of the Theater (1916), excerpt; S Phelps, Tercentenary Celebration of the Birth of Shakespeare [1864]; C L Kenney, Mr Phelps and the Critics of His Correspondence with the Stratford Committee (1864); 'The Shakesperian Commemoration in London ... Proceedings on Primrose Hill', Reynold's Newspaper (1864); 'The Shakespeare Tercentenary Celebrations ... London', The Times (1864); 'Important Theatrical County Court Case', Lloyd's Weekly Newspaper (1850); H Faucit, On Some of Shakespeare's Female Characters (1885); W M Phelps and J Forbes-Robertson, The Life and Life-Work of Samuel Phelps (1886), excerpts; J and E Coleman, Memoirs of Samuel Phelps, excerpt (1886); C Scott, 'Mr Phelps', Theatre (1878); 'So Falls the Last of the Brave Troop', Punch (1878); 'Sadler's Wells under the Hammer', Era (1875); 'The Wells', Era (1893); 'Samuel Phelps', Era (1893) Volume 3: William Charles Macready Edited by Richard Foulkes F Pollock (ed.), Macready's Reminiscences and Selections from his Diaries and Letters (1876), excerpts; 'Romeo and Juliet', Aris's Birmingham Gazette (11 June 1810); 'Hamlet', Newcastle Advertiser (13 April 1813); 'Henry IV Part 1', Tyne Mercury (26 January 1813); 'Romeo and Juliet', Bath Chronicle (5 January 1815); J Genest, Some Account of the English Stage (1832), excerpt; F Pollock (ed.), Macready's Reminiscences and Selections from his Diaries and Letters (1876), excerpts; 'Richard III', Theatrical Inquisitor (1819); A Critical Examination of the Respective Performances of Mr Kean and Mr Macready (1819), excerpts; F D C, 'Macready and Kean', Theatrical Inquisitor (1829); W Hazlitt, 'Othello', Examiner (1816); L Hunt, 'Coriolanus', Examiner (1819); 'Macbeth', Theatrical Inquisitor (1820); 'Mr Macready', The Drama; or, Theatrical Pocket Magazine (1823); 'Actors of the Present Day no. 5 Mr Macready', Theatrical Inquisitor (1828); L Hunt, 'Macready as Hamlet', in W Archer and R W Lowe, Dramatic Essays (1894); Prince Puckler-Muskau, Tour in England, Ireland and France (1833), excerpt; 'Kean and Macready in Othello', The Times (1832); A Bunn, The Stage Both Before and Behind the Curtain (1840), excerpt; Report from the Select Committee on Dramatic Literature with the Minutes of the Evidence (1831-2); J R Anderson, An Actor's Life (1902), excerpt; F Pollock (ed.), Macready's Reminiscences, and Selections from His Diaries and Letters (1876), excerpt; King Lear, Macready's acting edition, in Lacy's Acting Editions of Plays (1851); J Forster, 'King Lear', Examiner (4 February 1838); Covent Garden Theatre, Theatrical Observer: and Daily Bills of the Play (1838); Athenaeum (1842), excerpt; Athenaeum (1843), excerpt; J Coleman, Plays and Playwrights I Have Known (1888), excerpt; 'The Royal Visit and Closing of Drury Lane', Theatrical Journal (1843); F Pollock (ed.), Macready's Reminiscences, and Selections from His Diaries and Letters (1876), excerpt; H Faucit, On Some of Shakespeare's Female Characters (1891), excerpt; C Cushman, 'William Charles Macready', Anglo-American (1844); L Barrett, Charlotte Cushman A Lecture (1889); L Drew, Autobiographical Sketch of Mrs John Drew (1899), excerpts; G Vandenhoff, Leaves from An Actor's Notebook (1860), excerpt; F A Kemble, Records of Later Life (1882), excerpt; S and M Bancroft, Mr and Mrs Bancroft On and Off the Stage, excerpt; F Pollock (ed.), Macready's Reminiscences, and Selections from His Diaries and Letters (1876), excerpt; 'Macready as Macbeth', New York Mirror (1826); 'Macready as Hamlet', New York Mirror (1826); 'Macready and Forrest', Boston Lyceum (1827); W Toynbee (ed.) The Diaries of William Charles Macready 1833-1851 (1912); 'Mr Macready's Macbeth', Spirit of the Times (1843); 'Mr Macready', Knickerbocker (1843), excerpt; John Coleman, Players and Playwrights I Have Known (1888); Letters to the Editor, The Times (1845); 'Life in Town. Howard Athenaeum', Boston Daily Mail (1848); 'Mr Macready Dinner at New Orleans', Spirit of the Times; A Chronicle of the Turf, Agriculture, Field Sports (7 April 1849); 'Mr Macready in America', Theatrical Observer (1849); L Wallack, Memories of Fifty Years with an Introduction by Laurence Hutton; W Toynbee (ed.), The Diaries of William Charles Macready 1833-1851 (1912), excerpt; F Pollock (ed.), Macready's Reminiscences and Selections from his Diaries and Letters (1876), excerpt; N P Chaulin, Biographie dramatiqus des principaux artistes Anglais venus a Paris, precedee de Souvenirs historique du theatre anglais a Paris en 1827 et 1828 (1828), excerpt; T Gautier, Histoire de l'art dramatique en France depuis vingt-cinq ans (1859), excerpt; G de Nerval, 'Les Acteurs Anglais', L'Artiste (1844), excerpt; The Times (1844-5), excerpts; 'Mr Macready at the Marylebone', Theatrical Times (1848); 'Macready as an Actor', Theatrical Times (1848); 'Farewell Dinner to W C Macready esq' Era (1851); A L Tennyson, 'To W C Macready', Complete Works, excerpt; W C Macready, Address delivered to the Sherborne Literary Institution 12 May 1852 (1852); 'The Funeral of Macready', Era (1873); G H Lewes, On Actors and the Art of Acting, excerpt; W Archer, William Charles Macready (1890), excerpt; 'Literature', Athenaeum (1875)