The Economics of Music - Professor Peter Tschmuck

The Economics of Music

Buch | Softcover
264 Seiten
2021 | 2nd New edition
Agenda Publishing (Verlag)
978-1-78821-427-8 (ISBN)
28,65 inkl. MwSt
The second edition of this popular introduction to the economic workings of the music business explores the impact of the pandemic at every level of the sector and considers how the business model may need to change going forward as different stakeholder positions shift.
The music industry is one of the most dynamic and fascinating business sectors. Its business model has had to evolve and adapt to continually changing technologies that impact at every level from distribution to artist management. Its latest challenge has been the closure of live music venues during the Covid-19 pandemic.


The second edition of this much used introduction to the economic workings of the music business has been updated to include analysis of the impact of the pandemic as well as new trends in the industry, such as the increasing dominance of tech companies and big data and the growing importance of collective management organizations as market players, which has impacted on new business contracts. At a time when live performance outstrips music sales as the primary source of income for today’s musicians, this new edition also examines how different stakeholder positions have shifted.


The book remains a rigorous presentation of the industry’s business model, the core sectors of publishing, recording and live music, and the complex myriad of licensing and copyright arrangements that underpin the industry. The revenue streams of recording companies are analysed alongside the income stream of artists to show how changing formats and distribution platforms impact both industry profit margins and artists’ earnings.

Peter Tschmuck is Professor for Cultural Institutions Studies at the University of Music and Performing Arts, Vienna. He also teaches courses at the University of Economics and Business Administration in Vienna, at the Danube-University in Krems, the University of Music, Drama and Media in Hanover, and at the Zeneipari Hivatal in Budapest. His books include Creativity and Innovation in the Music Industry (2nd edn, 2012) and Music Business and the Experience Economy (2013). He is Editor of the International Journal of Music Business Research.

Introduction1. A short economic history of the music business2. Microeconomics of music: music as an economic good3. The economics of music copyright4. Music publishing5. Sound recording6. Live music7. Secondary music markets8. Music labour markets9. Economics of the digital music businessConclusionGlossary

Erscheinungsdatum
Reihe/Serie The Economics of Big Business
Verlagsort Newcastle upon Tyne
Sprache englisch
Maße 148 x 210 mm
Themenwelt Kunst / Musik / Theater Musik Allgemeines / Lexika
ISBN-10 1-78821-427-7 / 1788214277
ISBN-13 978-1-78821-427-8 / 9781788214278
Zustand Neuware
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