From Paris to Peoria
How European Piano Virtuosos Brought Classical Music to the American Heartland
Seiten
2003
Oxford University Press Inc (Verlag)
978-0-19-514883-1 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-514883-1 (ISBN)
This is a chronicle of the American visits of five pianists: Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubenstein and Hans von Bulow. Allen Lott describes the clash between the elegant European pianists and American audiences more accustomed to rodeos.
Grand Tours is a chronicle of the American visits of five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubenstein, and Hans von Bulow--during the late nineteenth century. Performing Beethoven and Chopin in gold-rush era California, these pianists introduced many Americans to the delights of the concert hall. With humor and insight, Lott describes the clash between the flamboyant, elegant, European pianists and American audiences more accustomed to circuses and rodeos than these "serious" entertainments. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on rich but uncharted American markets. The tours, which included almost a thousand concerts in more than one hundred cities in America and Canada, illustrate the rigors of the performing life, the wide range of nineteenth-century audiences and their gradual transformation from boisterous participators to respectful listeners, and the establishment of the piano recital as it exists today. With the colorful personalities of the pianists, the juxtaposition of high art and unsophisticated audiences, and the predilection of Americans to treat even the most serious subjects with humor, the book is illuminating and entertaining. The text is illustrated with ads, newspaper clippings, and correspondence that bring to life this collision of cultures.
Grand Tours is a chronicle of the American visits of five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubenstein, and Hans von Bulow--during the late nineteenth century. Performing Beethoven and Chopin in gold-rush era California, these pianists introduced many Americans to the delights of the concert hall. With humor and insight, Lott describes the clash between the flamboyant, elegant, European pianists and American audiences more accustomed to circuses and rodeos than these "serious" entertainments. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on rich but uncharted American markets. The tours, which included almost a thousand concerts in more than one hundred cities in America and Canada, illustrate the rigors of the performing life, the wide range of nineteenth-century audiences and their gradual transformation from boisterous participators to respectful listeners, and the establishment of the piano recital as it exists today. With the colorful personalities of the pianists, the juxtaposition of high art and unsophisticated audiences, and the predilection of Americans to treat even the most serious subjects with humor, the book is illuminating and entertaining. The text is illustrated with ads, newspaper clippings, and correspondence that bring to life this collision of cultures.
R. Allen Lott is Professor of Music History in the School of Church Music at Southwestern Baptist Theological Seminary in Fort Worth, Texas
Erscheint lt. Verlag | 27.2.2003 |
---|---|
Zusatzinfo | numerous halftones and music examples |
Verlagsort | New York |
Sprache | englisch |
Maße | 243 x 164 mm |
Gewicht | 680 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
ISBN-10 | 0-19-514883-5 / 0195148835 |
ISBN-13 | 978-0-19-514883-1 / 9780195148831 |
Zustand | Neuware |
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