New and Concise History of Rock and R&B through the Early 1990s (eBook)

amp;lt;P>ERIC CHARRY is a professor of music at Wesleyan University. His other books include Mande Music and Hip Hop Africa.</P>

<P>Preface • Acknowledgments • PRELIMINARY FRAMEWORKS • Identities • Youth • Gender and Sexuality • Race and Ethnicity • Blackness • Whiteness • Latino, Chicano, and Native American • Demographics • Aesthetic Preferences/Sonic Markers • European and European American • African and African American • Latin American • When Cultures Cross • Marian Anderson; Bob Dylan • A Spectrum: Four Examples • Cultural Appropriation • Music Industry, Media, and Technology • Copyright • The Recording Industry • Radio, Television • Magazines, Charts, Industry Awards • Technology • Researching and Studying Rock and R&B • Themes • HISTORY • 1920s-1950s • Tin Pan Alley • Blues • Rhythm and Blues • Gospel • Country • 1954-59: Early Rock 'n'Roll • The Media • Youth Culture • Naming a Styles • Crossovers • Covers • Five Primary Styles • Payola • Social Impact • 1960-1964 • Independent Producers, the Brill Building, Teen Idols • Girl Groups • Motown • Urban Folk Revival • Beach Boys and Surf Rock • The Beatles and the British Invasion • Soul • 1965-1969 • Cross Fertilization • Folk Rock • Psychedelic Rock • Experimental, Underground, Proto-Punk • Women and '60s Rock • Funk • Rock Guitar • Rock Festivals, 1967-1969 • Rock Journalism • End of Decade Trends • 1970s • Funk in the 70s • Progressive Rock • Glam Rock • Hard Rock • Singer-Songwriters • Country Rock • Stevie Wonder • Disco • Punk • New Wave • Women and '70s Rock • Jazz Rock • End of Decade Moment • 1980s • Hip Hop • Misogynist Lyrics in Hip Hop • Epidemic, Economics, Incarceration • Heavy Metal • Second British Invasion • Star Soloists: Michael Jackson, Prince, Madonna • Band Aid/We Are the World/Live Aid • Parent Music Resource Center • Alternative/Indie Rock/Hardcore • Electronic Dance Music • Into the 1990s • Glossary</P>