Science and Affect in Contemporary Literature
Bodies of Knowledge
Seiten
2024
Bloomsbury Academic (Verlag)
978-1-350-42541-5 (ISBN)
Bloomsbury Academic (Verlag)
978-1-350-42541-5 (ISBN)
- Lieferbar (Termin unbekannt)
- Versandkostenfrei innerhalb Deutschlands
- Auch auf Rechnung
- Verfügbarkeit in der Filiale vor Ort prüfen
- Artikel merken
Moving from the micro world of quantum physics to the macro scales of earth science and ecology, this book considers how, in contemporary literature, affective experiences like desire, suffering, anxiety, and joy shape scientific persons, practices, and products.
This book brings into dialogue close readings of scientific writing and contemporary literary works by authors like Jeanette Winterson, Richard Powers, Hanya Yanagihara, Thalia Field, and Jenny Offill. Combining narrative and affect studies, it uses formal strategies such as moving metaphor, visceral or affective description, plot-level analogy, contraction, and rhythm to engage with western scientific epistemologies, which still tends towards the impassive, universal, and objective.
While each chapter focuses on a different field (or fields) of science, all foreground bodies—human and nonhuman—as a way of exploring knowledge production. Through close readings, the book argues that select ‘scientific stories’ raise important questions about how ‘knowledge’ is defined and who (and what) is invited into its processes of production.
This book brings into dialogue close readings of scientific writing and contemporary literary works by authors like Jeanette Winterson, Richard Powers, Hanya Yanagihara, Thalia Field, and Jenny Offill. Combining narrative and affect studies, it uses formal strategies such as moving metaphor, visceral or affective description, plot-level analogy, contraction, and rhythm to engage with western scientific epistemologies, which still tends towards the impassive, universal, and objective.
While each chapter focuses on a different field (or fields) of science, all foreground bodies—human and nonhuman—as a way of exploring knowledge production. Through close readings, the book argues that select ‘scientific stories’ raise important questions about how ‘knowledge’ is defined and who (and what) is invited into its processes of production.
Shannon Lambert is a postdoctoral researcher at Ghent University, Belgium.
Introduction
Chapter 1: Flicker and Sidestep
Chapter 2: Agents of Description
Chapter 3: Swarms and Networks
Chapter 4: Infowhelm and the Everyday
Chapter 5: Rhythms of Knowledge
Conclusion
Bibliography
Erscheinungsdatum | 17.02.2024 |
---|---|
Reihe/Serie | Explorations in Science and Literature |
Zusatzinfo | 10 bw illus |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-350-42541-9 / 1350425419 |
ISBN-13 | 978-1-350-42541-5 / 9781350425415 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Poetik eines sozialen Urteils
Buch | Hardcover (2023)
De Gruyter (Verlag)
59,95 €
Entzauberung und Faszination des Immergleichen in Literatur und Film
Buch | Softcover (2024)
Springer Fachmedien Wiesbaden GmbH (Verlag)
84,99 €
Buch | Softcover (2024)
belleville (Verlag)
20,00 €