Tintoretto's Difference

Kamini Vellodi is Lecturer of Contemporary Art Theory and Practice at Edinburgh College of Art, University of Edinburgh, UK.

List of Figures
Preface
Prologue

1.Tintoretto: A Problem for Art History?
- Tradition and Contextualism
- Representational Thought
- Theory, Philosophy
- Towards Deleuze
- Deleuze and Art History
- The Diagram

2. Tintoretto and his Time?
- Christ Among the Doctors
- Annibale’s hesitation
- Aretino’s U-Turn
- Miracle of the Slave
- Historia
- The Stage-Method
- Painting and Theatre
- Tintoretto: From Theatre to Drama
- Genealogy of the Stage-Method in Tintoretto’s Works
- Ridolfi’s Motto
- Art History’s Recycling of Ridolfi’s Motto
- Deleuze and Diagrams of Art History
- Deleuze’s Tintoretto

3. Diagrammatic Constructivism
- Thought as Difference
- Deleuze’s Diagram and Kant’s Schema
- Kant’s Constructivism
- Pierce’s Diagram: An empiricist’s Constructivism
- Pure Icons
- Diagrammatic Subversion of Iconography in Tintoretto’s Works
- Tintoretto’s Ghostly Figures
- The Genetic method: Maimon and Deleuze
- Deleuze’s Transcendental Empiricism
- Tintoretto’s Constructivism. Stage Method as Diagram?

4. Diagrammatic Aesthetic
- Deleuze after Kant: Sensation and Genesis
- Genetic Method in the Third Critique
- Material Aesthetic and the Work of Art
- Aesthetic Paradigm
- Diagrammatic Aesthetic
- Diagrammatic Art
- Tintoretto’s Material Constructivism
- Constructivism Beyond Venetian Empiricism
- Tintoretto’s Imagination
- Boschini’s Experience
- The Scuola Grande di San Rocco

5. Diagrammatic Time
- Time of Difference
- Anachronism in Contemporary Art History
- Constructivism, Time and Art
- Deleuze’s Syntheses of Time
- The Third Synthesis of Time and Nietzsche’s Eternal Return
- The Diagram, Genealogy and History
- Tintoretto’s Time
- Tintoretto’s Return in the 2011 Venice Biennale

Conclusion

Bibliography
Index