Revel Access Code for Necessary Shakespeare, The
Pearson (Hersteller)
978-0-13-431186-9 (ISBN)
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REVEL is Pearson's newest way of delivering our respected content. Fully digital and highly engaging, REVEL gives students everything they need for the course. Informed by extensive research on how people read, think, and learn, REVEL is an interactive learning environment that enables students to read, practice, and study in one continuous experience – for less than the cost of a traditional textbook.
NOTE: REVEL is a fully digital delivery of Pearson content. This ISBN is for the standalone REVEL access card. In addition to this access card, you will need a course invite link, provided by your instructor, to register for and use REVEL.
About our author David Bevington, Phyllis Fay Horton Distinguished Service Professor Emeritus, is a highly respected editor and Shakespearean scholar. He taught drama at the University of Chicago, focusing on Shakespeare and his contemporaries (Jonson, Marlowe, Webster, Middleton, Dekker, etc.), as well as medieval drama and then the entire sweep of Western drama from Aeschylus and Sophocles down to Caryl Churchill and Tom Stoppard. In addition to courses on Shakespeare, Renaissance drama, and medieval drama, Bevington co-taught in Theater and Performance Studies (variously with Heidi Coleman, Director of University Theater, John Muse, English Department, and Drew Dir, resident dramaturg at Court Theatre) a two-quarter sequence called The History and Theory of Drama from the 5th century B.C. down to the present day. "One of the most learned and devoted of Shakespeareans," as characterized by Harold Bloom, he specializes in British drama of the Renaissance, and has edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. He also edits the Norton Anthology of Renaissance Drama and an important anthology of Medieval English Drama. Bevington's editorial scholarship is so extensive that Richard Strier, an early modern colleague at the University of Chicago, was moved to comment: "Every time I turn around, he has edited a new Renaissance text. Bevington has endless energy for editorial projects." In addition to Bevington's work as an editor, he has published studies of Shakespeare, Christopher Marlowe, and the Stuart Court Masque, among others, though it is for his work as an editor that he is primarily known.
PART 1: GENERAL INTRODUCTION
Reading Shakespeare in the Twenty-First Century
Life in Shakespeare's England
The Drama Before Shakespeare
London Theaters and Dramatic Companies
Shakespeare's Life and Work
How to Read Shakespeare
Shakespeare's Language
Shakespeare Criticism
PART 2: THE COMEDIES
The Taming of the Shrew
A Midsummer Night's Dream
The Merchant of Venice
Much Ado About Nothing
As You Like It
Twelfth Night; or, What You Will
Measure for Measure
PART 3: THE HISTORIES
The Tragedy of King Richard the Third
The Tragedy of King Richard the Second
The First Part of King Henry the Fourth
The Life of King Henry the Fifth
PART 4: THE TRAGEDIES
Romeo and Juliet
Julius Caesar
Hamlet, Prince of Denmark
Othello, the Moor of Venice
King Lear
Macbeth
Antony and Cleopatra
The Romances
The Winter's Tale
The Tempest
The Poems
Sonnets
APPENDICES
Canon, Dates, and Early Texts
Sources
Shakespeare in Performance
Films and Videos as a Guide to the Study of Shakespeare
Sprache | englisch |
---|---|
Maße | 216 x 279 mm |
Gewicht | 14 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 0-13-431186-8 / 0134311868 |
ISBN-13 | 978-0-13-431186-9 / 9780134311869 |
Zustand | Neuware |
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