Weben und Gewebe in der Antike / Texts and Textiles in the Ancient World - Henriette Harich-Schwarzbauer

Weben und Gewebe in der Antike / Texts and Textiles in the Ancient World

Materialität – Repräsentation – Episteme – Metapoetik / Materiality – Representation – Episteme – Metapoetics
Buch | Hardcover
192 Seiten
2015
Oxbow Books (Verlag)
978-1-78570-062-0 (ISBN)
47,35 inkl. MwSt
Presents latest research on the processes of textile manufacture, weaving and the materiality of fabric in prehistory and late Antiquity.
Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics presents 12 papers arranged under the four headings of the title which focus on the process of textile manufacture, the weaving process itself, and the materiality of fabric. Contributions adddress the problematic issues of cognitive archaeology, consumer research, literary theory and themes addressing both philosophical history and the history of reception of ideas and practice. The contributions seek both to close the critical gaps with respect to weaving, a broad and complex field in the area of ancient cultural techniques, and to identify new themes. Accordingly, the submissions expand our focus into late antiquity, to integrate texts such as letters written on Papyrus detailing the everyday correspondence of an Egyptian family or to spotlight the meaning of textile terms and the history of misunderstandings associated therein. Frequently overused analogies between writing and weaving are also examined in terms of their legitimacy as well as their limits. The papers presented here result from an international and interdisciplinary conference under the same title held in Castelen, near Basel in 2012.

Henriette Harich-Schwarzbauer is a professor of Latin Philology in the Classical Studies Department of the University of Basel, focusing primarily on literary and cultural questions. Roman philosophy, the literature of late antiquity, the canonization process of ancient literature, women in the history of philosophy and New Latin constitute the central points of her research.

Introduction

 

I Materialität

 

1. Felicitas Maeder: Byssus und Muschelseide. Ein sprachliches Problem und seine Folgen

 

2. Sophie Gällnö: Le tissage dans les lettres privées de l’Égypte byzantine: travail domestique ou activité lucrative ?

 

II Repräsentation

 

1. Beate Wagner-Hasel: „Canusiner Gewand, das trübem Honigwein sehr gleicht [...]“. Wollqualitäten und Luxusdiskurs in der Antike

 

2. Berit Hildebrandt: Das Gewand des Honorius in der Dichtung Claudians

 

III Episteme

 

1. Ellen Harlizius-Klück: Denkmuster in der antiken Weberei. Eine Spurensuche

 

2. Marie-Louise Nosch: The Loom and the Ship in ancient Greece. Shared knowledge, shared terminology, cross-crafts, or cognitive maritime-textile archaeology?

 

3. Gunther Martin: Weben und Wahrheit. Die Hermeneutik von Geweben in Euripides’ Ion

 

4. Henriette Harich-Schwarzbauer: Over the Rainbow. Arachne und Araneola – Figuren der Transgression

 

IV Metapoetik

 

1. Cédric Scheidegger Lämmle: Einige Pendenzen. Weben und Text in der antiken Literatur

 

2. Julia Klebs: Entgrenzungen von Proserpinas Kosmos

 

3. Simon Zuenelli: Das Lied von der webenden Aphrodite. Eine metapoetische Interpretation von Nonn. Dion. 24, 242–326

 

4. Sigrid Schottenius Cullhed: Reading Textual Patchwork

 

Abstracts

 

Über die Autoren / About the authors

 

Index

Index Nominum

Index Rerum

Reihe/Serie Ancient Textiles Series ; 23
Zusatzinfo black/white & colour illustrations
Verlagsort Oxford
Sprache englisch; deutsch
Maße 170 x 240 mm
Themenwelt Kunst / Musik / Theater Design / Innenarchitektur / Mode
Geisteswissenschaften Archäologie
ISBN-10 1-78570-062-6 / 1785700626
ISBN-13 978-1-78570-062-0 / 9781785700620
Zustand Neuware
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